car triptych

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who invented the white-balance automatic? and who told me to leave it switched on? egad, sometimes i feel sympathy for mike johnston's 'the leica as a teacher idea. at least no whitebalance-automatic that, as every automatic, does as good as it can, but doesn't help me thinking. and getting the balance manually, just by optical impression, was impossible for me, at least at first take.

note to self: one more automatic to switch off on certain occasions. oh yes, and i do this when shooting panos, but here i simply forgot.

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stairs in technical town hall, munich

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tuesday they ordered me to exchange my business mobile. not worth mentioning normally, but this gave the opportunity to see munich's new steel/glass constructed technical town hall. in my eyes a well designed and crafted construction, though i don't know if the workers here are happy with it.

at least i was, optically, and the light was sufficient in spite of the completely overcast sky to shoot hand-held. again in-body-stabilisation is a key factor for success here. glad that the sony has it.

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steinhögl sky on fire

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first monday of all months of the adult evening classes semester is a meeting of the local photography group. as it was raining that specific monday the month before, we decided to have another try for an excursion, this time to steinhögl, a 612 m high hill 20 driving minutes from our hometown. we left at overcast sky and rather dull light, but half an hour after our arrival the sun came out again and made us a present with a gorgeous sunset.

i was happy to have my new bought cokin nd grad filter with me as these contrasts make exposure difficult enough even without the nd grad. maybe a reverse nd grad would have been even better, but i found only one seller who is asking 'snake oil' (quote d. kilpatrick) prices. so the lightzone regions came in handy to extract that colorful clouds in the sky and create an image as i remember it, quite different from the raw file you see here.

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baroque altar of st. laurentius, ainring

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yesterdays visit to ainring provided some more photos. perhaps not so creative as it is just a picture of someone else's art but this maybe is more a question of amour propre. those statues to the left and right of the baroque altar had something overwhelming for me - when i saw them on the monitor.

the church itself was open, but visitors are restricted to a very small place at the entrance, separated from the room by a heavy cast iron grid. a reasonnable reaction to the many thefts of objects of art in the 60s and 70s of last century. therefore i needed the camera as an extension of the eye to fully percieve the details of the statues and the altar.

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vivid waters

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water is always an interesting topic for me. todays trip to drop my daughter at a birthday party resulted in a walk along a small creek in Ainring, not far from home.

the rain had stopped only one hour ago, so the leaves were still glistening wet in the new sunlight.

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burning thumsee

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the regular "der thumsee brennt" (burning lake thumsee) open air concert of the philharmonic orchestra met mixed weather yesterday. the concert itself had to be interrupted several times due to drizzling rain, but the fireworks went off into almost clear sky.

i had a vantage position a bit outside of the festival itself and so i could capture some foreground with the fireworks. shooting raw + jpeg this time, i was astonished about the a700's jpeg quality straight out-of-camera, but ended up again with hand-tweaked (or should i say lightzone-tweaked) pictures from the raw.

the workflow with lightzone is just so convincing: dodging, burning, masking, intensifying - these are all old darkroom techniques, achievable through a very logical interface. not that lightzone doesn't have its quirks - printing is a bit better than broken, it's a memory and processor hog (for that reason alone i wouldn't want a 24mpix camera) and the worst thing is the invisible support on the website together with the incomprehensive documentation. but it still has the for me most logical approach in developing raw files, and the results speak for themselves.

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toned tree

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sometimes 30 minutes can be sufficient: a walk alone in grey, wet weather at the borders of a lake, a short view in the woods and the silhouette of an old strong tree. Of course it was dark in there and so i was glad for my tripod. the polarizer had to help avoid too bright reflections from the leaves. the final imaged showed an intense green, but not in as many variations as i had hoped for a strong picture, so i took my chance in the conversion to b&w and some toning.

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cobweb cone

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now for something completely different. i found this cobweb in schönram bog on one of my random visits. early morning, full of dew, a beauty of architecture and form follows function philosophy. creating an image was a bit tedious, of course the angle finder was at home, of course there was just a light breeze that invalidated all the support the tripod could give, so this image is the best out of many attempts.

the postprocessing turned out to be difficult: lots of options, but no immediately convincing one. i tried black and white but had the feeling that i lost to many nuances in the cobweb itself. so i ended with this, desaturated and contrast increased and - maybe the most important manipulation - a cropped out sky. that sky offered a nice warm color but in my eyes was too distracting. but i am still not fully content, as there seems to be too much foreground not adding to the picture. on the other hand i'd prefer to stick with the 2:3 ratio. so this is probably not the final version.

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church of Anger, dominating the village

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bavaria still is one of the roman-catholic heartlands. no politician will stand a chance opposing the church - the green party at the moment has to learn this the hard way, it seems. this domination was in former times even a physical one, as you can see in this picture: the church really towering over a village of maybe 10² houses.

This image needed some more postprocessing: removing CA with gimp, adding saturation to the not so blue sky, incrementing local contrast etc. i am still amazed about the performance of this budget/lightweight/small tamron lens.

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more barley and poppy flowers

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that excursion last saturday was extremely satisfying in terms of both the process and the outcomes. so here are two more poppy flower vs. barley shots.

never before i had used the macro capabilities of my new tele zoom, but here, for the shallow depth of field, it is really indispensable. in a severe attack of lens buying addiction i had succumbed to the new tamron 70-300mm f/4-5.6 tele-macro ld di, which david kilpatrick of photoclubalpha.com had reviewed very favourably here. It definitely is a steal, and the remaining chromatic abberations - for this price you don't get an apo lens - can be easily corrected with a gimp plugin, if necessary.

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poppy flowers in a barley field

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getting up early to catch the first light was definitely the right thing to do today, as the sky became overcast before noon and stayed like this until the evening. i finally got over my feeling of inertia which quite often strucks me after my missions to sri lanka: so many contradicting emotions overwhelm me, compassion with the suffering people not the smallest, that it takes time afterwards to get up and go again, searching for harmony, beauty (not daring to use the word art). but when i was there i was just delving into that feeling of seeing, beeing there, experimenting, framing, that i completeley loosened up and this way really relaxed.

so it was really worth getting up early.

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more tulips

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untypical for tulips, these are white. my favourite raw editor lightzone, which is now available as a commercial and supported product for linux - thanks lightcrafts - proved to be an excellent tool to just enhance the local contrast in the one focused tulip. the shot was taken with a more than 20 year old glass which i do like very much for its creamy bokeh when used white open.

the tulip to the right is red, but as red is so abundant in springtime pictures, i went for 'something completely different' and used the b&w conversion of lightzone. the region tool allowed me to additionally blur distracting foreground elements.

those two shots were made during a two hour excursion with friends from the local photo group. having worked very concentrated for the whole day, it was a pleasure and recreation to come into a "flow" of photographing, just focusing on composition, framing. this happened regardless of the expected results and forms a great part of the pleasure photography gives me.

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willow over weissbach

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what a wonderful world: convinced my wife and the kids to walk along the whole weissbach canyon. ok, there was a wholesome goal, mauthäusl inn, with a terasse overlooking part of the canyon, and the prospect of an icecream worked more than accelerative. and we had a break in the canyon, which offered the opportunity for this shot - the other parts of the path we had to attentively guide the kids in order to avoid an unintended bath. conclusion: walking with kids is fun as long as you take it as what it is, not as an opportunity to make all the pictures you'd probably like to.

the oscillation of the strong sunlight in parts of the canyon is what i visualized here, enforced by the fidgety pattern of the rock.

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chasing the biker

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as it is brighter now when i leave the office, more photogenic sceneries show up. waiting for the bus, large numbers of bikers, ringing their bells, chased the waiting passengers from the bike lane. across the street, the scenery was different - the biker graffiti seemed to get chased by the cars.

spring in the city has its own photogenic qualities. what i love most is the opposition of nature against man made structures. and, again, i have discovered my love for shallow depth of field. usually a bit difficult to aquire with an aps-c format dslr, the more than 20 year old minolta 3.5-4.5/70-210 zoom makes this possible at least at the long end.

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Weißbach flowing

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recently i had discussions with colleagues of the local photo group about moving water in photography. there are obviously two fractions: flow haters aka. freeze lovers and soft flow lovers. whilst the latter enjoy the extension to the human eye in form of the camera's ability to show the movement of the water, the first party bluntly rejects such pictures. for me, both forms of rendering are valid but I do enjoy very much the flow, expressing a distinct feeling of time passing, energy coming and dissipating and offering the eyes and the soul a place to dive in, melt in and re-unite with nature.

the little Weißbach canyon becomes more and more a place of rest and regeneration for me, and capturing the stimulation of all senses in a photography is an everlasting challenge.

the image to the right is a crisp rendering of a spot nearby, strong more in the colors and in the v-shaped direction of the falling waters.

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north face over schwarzbach

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easter monday i got some free time and went to an alpine meadow near the 'queralpenstrasse' (alpine transversal road) just 20min far from home. under the north face of Reiteralm there was still a lot of snow, and from time to time avalanches broke free high above our heads. the woods here have suffered a lot from the storms, weakened as they are by the air pollution they toppled over hectar wise. but on the north side there is still hope that a natural mixed forest will grow up again as the density of deer and roe is not as high as in the opposing south faces, where they feed every spring on the buds of the young trees to devastating effects. the young protection forest does not grow up but ends as extremely expensive mash for future trophies on the chimney wall of a hunter.

the second picture is an alpine hut there on the meadows. the cows used to graze right in the woods - with obvious consequences for the young trees - but the administration tries to buy out now those old rights.

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parking tickets

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the old sycamore tree with its expressive figure and cortex iuxtaposes nicely the oh so mundane 'parking tickets' signboard.

lightzone again proved to be a valuable tool to darken the background a little bit and except it from the sharpening algorithms.

the second shot is the shadow of St. Ägidius church here in Bad Reichenhall. i love the sharp silhouette of the branches against the soft shadow of the clocktower.

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layered ice

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after winter came back into our valley for three days and brought some fresh snow, i used some free hours to go back to weissbach canyon to look for water and ice. those layers above covered several square meters of rocks. in the end they stopped my exploring of the canyon as they were impossible to cross, but the made a really good subject for a picture. this one is in fact a combination of four single shots in helicon focus to achieve overall sharpness. some massaging in lightzone helped to guide the eye a bit.

the image to the right was taken at the same spot. the forms of the frozen leaves and the harsh shadows remind me of some long forgotten letters.

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